It is not a new scenario where we see carnatic
musicians making it big in the playback industry too. We take a quick
look at three female gems of Carnatic music that have emerged out to be
the best of both genres in the recent era.
Who can forget Nithyashree's famous 'Kannodu Kaanbadhellam' from the movie Jeans. Nithyashree's bold voice was loved
by many. Her versatility infact caught many music lovers' attention with
her 'Sowkiyama Kanne' from the movie Sangamam and 'Poova Poova' from
Poovellam Kettupaar. Her other hits include 'Oru Nadhi Oru Pournami'
from the movie Samurai, 'Vanthaen Vanthaen' from Panchathanthiram. One
could boldly say that 'Minsara Poove' from Padayappa could have not
reached the top charts if not for Nithyashree's voice in the song with
apt 'niravals' in the song.
Moving on, another such miraculous find who has made
it big in playback singing would be Bombay Jayashree. Her 'Narumugaye'
from Iruvar definitely marked her entry in Kollywood. The song which
needs no introduction 'Vaseegara' from Minnale can be termed as her
landmark song in her career path. Duets like 'Mudhal Kanave' from Majnu ,
'Suttum Vizhi' from Ghajini and 'Chellame Chella' from Sathyam stand
proof for bringing out best, the emotion of love, through her rendition.
Ofcourse Jayashree's 'Malargale' from Pudhukottailirundhu Saravanan is
an all time favourite for a light listen.
Sudha Raghunathan who has sung many numbers like
'Kadhal Periyadha' from Sattham Podathey, 'Abinayam Katugindra' from
UliyinOsai but it was indeed 'Annul Malae' from Vaaranam Aariram.that
created a sensation and was loved by many. 'Yeno Yeno Panithuli' from
Aadhavan is Sudha's another hit number. Although, both the genres
completely different in nature, these singers, with a zeal that they
carry have carved a niche for themselves and ofcourse it is needless to
say, these strongly trained carnatic musicians are a boon for the Tamil
Music Industry.
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